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Bluebells at Bull Run Regional Park

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I've already walked the Bluebell Trail this year, like I try to do every year, at Bull Run Regional Park in Centreville, VA. This is one of the largest continuous tracts of wild Virginia Bluebells on the East Coast, and I'm so thrilled that I live so close to them. When I walked the 1 1/2 mile-long Bluebell Trail this past Saturday, I could tell that they were not quite at their peak. It was pretty crowded, being a Saturday, so I hoped to return during the coming week when the bluebells would be at their peak bloom and it might not be so crowded. Today I made it back, with my painting gear.  I've done a lot of plein air (on-site landscape painting) and so have it down to a manageable amount of gear. I use a Daytripper easel, which consists of a "mast" that clips on to a normal photography tripod and holds a canvas or flat panel, and a lightweight palette which hangs on to the tripod. The palette fits into my small backpack and the mast slips into the tripod bag....

Re-photographing "B"

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My husband and I took a trip over the weekend to Lynchburg and Staunton, Virginia, to look at some wonderful art and attend a panel discussion about the painter Philip Geiger, who just died on January 6, 2026, much too young, of ALS. I have followed and loved the work of Philip Geiger for decades. If you don't know his work, look him up. You're in for a treat.  Since I've been back I've gotten busy with framing some paintings that are going into the Art at the Mill show (more on that in a later post.) While downstairs in my framing room, I noticed, in a stack of paintings against the wall, my "B" painting. I've been working on my alphabet series, "Still Life A-Z" for over 20 years, on and off. (As you know, I'm now up to "N".) "B" was actually the first painting I completed for this series. I started with "A", of course, but somehow it wasn't coming together, and I was fighting it so much that I put it aside ...

"N", Work in Progress

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Today I worked for about 1 1/2 hours. I felt kind of foggy, so I had lunch, then went for a walk. My 45-minute walk cleared my head, so afterwards I went back to my painting. I think I worked about another hour and a half. I realized that my drawing was a little off, so I moved things around. I had put the flowers in first and then had to paint the background around them, not easy when the paint is wet! I used a lot of paint and pushed it sloppily around. This painting is feeling freer than usual. I ran out of steam before I ran out of blank canvas, so I stopped before everything was covered. Maybe tomorrow I'll be able to put the rest in. Click the picture for a larger view

Jumping In

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I finally really zeroed in and concentrated on my "N" setup. I was kind of dissatisfied with it, so I dismantled what I had and completely redid it. Then I rearranged it again. And again. I decided to lose the Nesting Ninjas. I also took the Nutmeg out and added Nerve Plant and a Nutcracker (even their shadows will be important.) Also a color picture of a Nimbus cloud on the wall. I took all three Nancy Drew novels that I got at the Goodwill and stacked them up. I took pictures of each new arrangement. I was getting feedback from my daughter, husband, and painting friend, but finally I just decided that "composing by committee" wasn't going to work for me, and I said "Good enough!" and starting getting the drawing committed to the canvas. First I gridded out my blank canvas into quarters, and quarters again. I have this nifty viewfinder that I recently made, so I looked through it to make sure my painting included all the objects with their correct dis...

Rearranging and getting closer

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After getting some good feedback from my husband and a painter friend, I decided to remove the nook, necktie and the necklace hanging from the nail. I loved all the wordplay, but it was just too busy back there with all the nesting ninjas, and was very dark and heavy in that corner, so I thought I'd see if it would be better if I simplified it. I did like this arrangement better, but it needed something in the upper right corner, against the wall. On my walk this afternoon, I stopped in at the Goodwill store and was thrilled to find some Nancy Drew books! I bought three, since I didn't know which cover would look the best. I think I've landed on this one. I like the way her flashlight beam is pointing up into the plant, bringing your eye around. I may tweak it a bit more, but I think it's getting close. I want to rearrange the ninjas so that the one on the notebook is the one that has nunchucks tucked in his belt. I'm going to replace that plastic orange with a real...

Starting in on "N": a peek behind the scenes

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Well, after finishing "M", I took a nice long break from painting and mainly did jigsaw puzzles while we were snowed in, then I stretched a canvas for "N" and for my new copy at the National Gallery (read about that here ). I've been thinking about and collecting the N objects for weeks, and have set them all on the table. Today I started to seriously look at them and arrange them into a possible composition. I have collected Necco wafers, nutmeg, a Neanthe Bella palm (there aren't many plants that start with N! I wanted Narcissus, but the garden center said they wouldn't be selling them until April. They helped me find this pretty little Neanthe Bella palm, also known as a parlor palm), an Alice Neel book, Ninja nesting dolls, a napkin, a Nacre (mother-of-pearl) necklace, a notebook, a nine ball, a navel orange (I'm using a plastic orange as a stand-in but I will buy a real navel orange when I'm ready to start the painting), a necktie, and a nav...

Calling it done! "M"

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I let the painting sit for a few days and showed it to some people. One artist friend recommended that I darken the area around the maple syrup bottle, because your eye entered the painting and moved back, but didn't have anything to settle on back there. So today I worked a little on the maple syrup bottle, darkening some of the darks and the shadow beside it, and brightening the lights.  I also tackled fixing the eyes of the mask. I felt that the eye on the right was a little higher than the other eye. Another artist friend said she thought I needed to add some darks around the eyes, because that area looked a little flat. So I worked on the eyes. But then they called too much attention to themselves, so I lightened the pupils and tried to make sure the eyes weren't looking directly at the viewer, but a tiny bit to the side. I hope it comes across. I also worked on the nose and mouth and brightened the cheeks a little. I scumbled a little color over the mask's reflection ...